east west symphonic choirs first kickass

Right out of the gate, Mayall sounds energized on “Hungry And Ready,” with Taylor proving a perfect fit on lead guitar. The project was recorded at The Doors’ Robby Krieger’s Horse Latitudes studio with Grammy-nominated producer Eric Corne. As usual, he has some expertly selected talent on hand, including The Heartbreakers’ Mike Campbell, roots rocker Marcus King, Americana artist Buddy Miller, Scarlet Rivera (famously a member of Bob Dylan’s Rolling Thunder Revue), Chicago blues guitarist Melvin Taylor and Hawaiian ukulele artist Jake Shimabukuro. Next month he returns with The Sun Is Shining Down, which finds Mayall teaming up with a stellar cast to deliver an impressively honest, flat-out blues album. What’s remarkable is that the guitarist, singer and songwriter has kept at it, with a discography that stretches into dozens of albums. As is legend, talent he fostered was handed off to huge classic rock acts like Cream, the Rolling Stones and more. a rewarding experience, expect the upcoming iBeam show - where the baby sax meets the big pipe - to be a highly satisfying, memorable event.īritish bluesman John Mayall has been a major force in the genre going back decades. Each saxophonist will perform solo, followed by a set of the two performing together. Gig alert: Sinton will share a twin bill with soprano master Newsome at iBeam in Brooklyn on Feb. 12) and a visionary project with his Predicate quartet (with trumpeter Jonathan Finlayson, cellist Christopher Hoffman and drummer Tom Rainey) titled 4 freedoms (Oct. The 50-year-old Sinton plans three more album releases in 2022, including a trio outing reuniting him with pianist Jed Wilson and drummer Tony Falco (June 3), a solo recording of him performing six advanced-level etudes published by Lacy (Aug. Silence between notes and phrases is highly effective in helping the music breathe and in keeping the listener focused and in a state of perpetual anticipation. The beauty of these pieces lies not so much in melodic lines and implied chord progressions, but in the impressionistic textures and timbres Sinton manipulates with such delicate precision, his use of breath effects and multiphonics, his deeply resonant upper register and his barking low end. Sinton’s unaccompanied improvisations are purposeful and structured, complete compositions made in the moment and documented here using simple alphanumeric titles. Akin to the avant-leaning solo saxophone albums recorded by the likes of the late Steve Lacy, Sam Newsome and Jon Irabagon, b. It’s also his first solo album, and in many ways represents a culmination of nearly three decades spent performing, writing and refining his technique as well as listening to his sound mature and evolve on bari and bass clarinet.

Josh Sinton opens a portal into the core essence of the baritone saxophone on b., the first of a series of albums the multi-instrumentalist, composer and bandleader plans to release over the coming year.

East west symphonic choirs first kickass